Henry magnifies the film's intoxicated
rat-arsed rock 'n roll slur ("89¢ Public Render") or sulphurous aggro-electronics (the two-part title track)
unhurried pieces that inhabit a unique sound world characterized by wheezing
a composition whose melodic drive and percussive groove reminds on moondog’s spirit
Initially working with simple intervals such as octaves and fifths
Karl Lindh – Bortom E4's Horrisont [LP] Sound Art / Sound Poetry Henry magnifies the film's intoxicated"Smudgy existential electronics and pristine minimal jazz with a furtive, fugitive feel. It's a creepy, brown carpeted, Cold War ish mise en scene, painted with a wonderfully peculiar palette keyboards, double bass, vibraphone and rigid drum machine tick n tock, a perfect marriage of fluency and stiffness, of all pervading paranoia and carefully portioned camp (Kraftwerk in The Red Room?). Romance too "Djurgardsgatans Ogonblick" and "Jag. Mitt Kaffee"